Stanley Brinks. 19.01.11 Els Concerts del Cabaret Elèctric
Playlist:
They don't have a clue",
"Love, beer an such",
"I hear you",
viernes, 28 de marzo de 2014
jueves, 27 de marzo de 2014
13th Floor Elevators
13th Floor Elevators Austin TX 1966 KAZZ radio full broadcast
March 1966 full broadcast of the 13th Floor Elevators on KAZZ FM at the New Orleans Club complete with DJ chatter.
Playlist:
The Word,
Monkey Island,
Roller Coaster,
I'm Down, Gloria,
You're Gonna Miss Me.
The band: Roky Erickson guitar/vocals, Stacy Sutherland guitar, John Ike Walton drums, Tommy Hall electric jug, Benny Thurman bass.
March 1966 full broadcast of the 13th Floor Elevators on KAZZ FM at the New Orleans Club complete with DJ chatter.
Playlist:
The Word,
Monkey Island,
Roller Coaster,
I'm Down, Gloria,
You're Gonna Miss Me.
The band: Roky Erickson guitar/vocals, Stacy Sutherland guitar, John Ike Walton drums, Tommy Hall electric jug, Benny Thurman bass.
lunes, 17 de marzo de 2014
Stanley Brinks and The Wave Pictures
Stanley Brinks is joined by The Wave Pictures on their first joint release for 4 years with upcoming 7" single Orange Juice.
Orange Juice is an anthemic singalong about a recipe for happiness - "a little bit of you, alcohol, tobacco, caffeine, ephedrine and orange juice".
B-side Maybe I Will See You Again is, rather aptly after the concoction of Orange Juice before it, a song about standing at a street corner with a hangover. It has previously appeared on the album 'Stanley Brinks Hovers', but this is a new rock'n roll version backed by The Wave Pictures.
Neither track features on the new Stanley Brinks & The Wave Pictures album 'Gin' due for 3rd March release.
Stanley Brinks began performing officially as André Herman Düne in 1999, sharing lead vocals, guitar playing and songwriting with his brother David in the band Herman Düne for a number of years. They released several albums and toured extensively in UK, gaining and owing a lot to great support from John Peel. He has used many monikers for various side-projects, but since leaving Herman Düne in 2006, he has been known solely as Stanley Brinks.
Born in Paris, Stan has been living between New York, San Francisco, Malta and Berlin for about a decade, always on the move. He has recorded more than 100 albums, collaborated with the New York Antifolk scene on several occasions, recorded and toured with traditional Norwegian musicians, and played a lot with The Wave Pictures.
The Wave Pictures are David Tattersall, Franic Rozycki and Jonny "Huddersfield" Helm. Formed in 1998 when Franic and David lived in a village called Wymeswold, the band played with several drummers until Jonny became a permanent member in 2003 replacing Hugh J Noble. In the beginning the band learned to play together by covering Jonathan Richman songs but soon David was writing lots of original material.
They have since released five studio albums to critical acclaim and played numerous sessions on BBC 6 Music, Radio 1 and Xfm. The interest generated by these recordings has enabled The Wave Pictures to play shows all over the world with artists including Jeffrey Lewis, Darren Hayman, Stanley Brinks, Freschard and Herman Dune.
Stanley Brinks and The Wave Pictures - Orange Juice
Stanley Brinks - Parking Lots
Orange Juice is an anthemic singalong about a recipe for happiness - "a little bit of you, alcohol, tobacco, caffeine, ephedrine and orange juice".
B-side Maybe I Will See You Again is, rather aptly after the concoction of Orange Juice before it, a song about standing at a street corner with a hangover. It has previously appeared on the album 'Stanley Brinks Hovers', but this is a new rock'n roll version backed by The Wave Pictures.
Neither track features on the new Stanley Brinks & The Wave Pictures album 'Gin' due for 3rd March release.
Stanley Brinks began performing officially as André Herman Düne in 1999, sharing lead vocals, guitar playing and songwriting with his brother David in the band Herman Düne for a number of years. They released several albums and toured extensively in UK, gaining and owing a lot to great support from John Peel. He has used many monikers for various side-projects, but since leaving Herman Düne in 2006, he has been known solely as Stanley Brinks.
Born in Paris, Stan has been living between New York, San Francisco, Malta and Berlin for about a decade, always on the move. He has recorded more than 100 albums, collaborated with the New York Antifolk scene on several occasions, recorded and toured with traditional Norwegian musicians, and played a lot with The Wave Pictures.
The Wave Pictures are David Tattersall, Franic Rozycki and Jonny "Huddersfield" Helm. Formed in 1998 when Franic and David lived in a village called Wymeswold, the band played with several drummers until Jonny became a permanent member in 2003 replacing Hugh J Noble. In the beginning the band learned to play together by covering Jonathan Richman songs but soon David was writing lots of original material.
They have since released five studio albums to critical acclaim and played numerous sessions on BBC 6 Music, Radio 1 and Xfm. The interest generated by these recordings has enabled The Wave Pictures to play shows all over the world with artists including Jeffrey Lewis, Darren Hayman, Stanley Brinks, Freschard and Herman Dune.
Stanley Brinks and The Wave Pictures - Orange Juice
Stanley Brinks - Parking Lots
the perfect prescription
The Perfect Prescription - Spacemen 3
The Perfect Prescription is the second studio album by Spacemen 3. September 1987
"Take Me to the Other Side" 0:00
"Walkin' With Jesus" 5:28
"Ode to Street Hassle" 10:39
"Ecstasy Symphony/Transparent Radiation (Flashback)" ("Transparent Radiation" Barthelme, Cunningham, Thompson) 14:30
"Feel So Good" 24:30
"Things'll Never Be the Same" 30:05
"Come Down Easy" 36:05
"Call the Doctor" 42:54
It is a concept album, "a vision of a drug trip from inception to its blasted conclusion, highs and lows fully intact." The music becomes progressively more orchestral and serene until the high of the trip, represented by "Ecstasy Symphony"/"Transparent Radiation (Flashback)," moving on to the moment of realisation where the high has faded and the comedown ensues, represented by the harsh opening guitar chords in "Things'll Never Be the Same." Coming down is represented in the blues based "Come Down Easy," whilst the potentially fatal effects of an overdose are portrayed in the final track "Call the Doctor." The music was written by the band except "Transparent Radiation" which is a Red Krayola cover from their 1967 album Parable of Arable Land. The band also borrow heavily from the gospel standard covered by Bob Dylan, "In My Time of Dying," for "Come Down Easy" and pay homage to Lou Reed in "Ode to Street Hassle."
The vinyl edition of The Perfect Prescription includes liner notes by author R. Hunter Gibson:
"'The Perfect Prescription' is an album that will be left out of the rock 'n' roll readers, just as the great texts bid Bo Diddley throw down his cloak for the quickstep of Eddie Cochran. If there has ever been an untrumpeted classic, here it is. An arcane, apocryphal document, this record, in late '80s UK, was telegraphing a message of unconcerned hope in a world hypnotised by guilt-ridden social work rock. Here, more than anywhere, Spacemen 3 have a vested interest in absolutely nothing. It is revolutionary and militant where most angry young rock is liberal at best. It is extreme and accurate. Like 'Aftermath' it captures every aspect of the age that would later be analysed. As the unassuming soundtrack of a country breaking down and a world breaking up, its very nature means that it has been ignored.
Spacemen 3, like all the great rock 'n' rollers, from Arthur Parker to Paul Gauguin, are revolutionary; this is their great manifesto, striding free from the pharmacy raid of their debut armed with the keys of the musical medicine cabinet. When we left off things would never be the same. But the other side of the locked door, well, it's like the white one in the story.
If 'Sound of Confusion' denied the wider stretches of the sense in favour of the immediately, roughly sensual, this script paned out from some suburban global village Viet vet subculture into a poppyfield undersown with righteous paranoia. And still the smell of burning rubber on trash yankee wheels thickens the air...
The Perfect Prescription is the second studio album by Spacemen 3. September 1987
"Take Me to the Other Side" 0:00
"Walkin' With Jesus" 5:28
"Ode to Street Hassle" 10:39
"Ecstasy Symphony/Transparent Radiation (Flashback)" ("Transparent Radiation" Barthelme, Cunningham, Thompson) 14:30
"Feel So Good" 24:30
"Things'll Never Be the Same" 30:05
"Come Down Easy" 36:05
"Call the Doctor" 42:54
It is a concept album, "a vision of a drug trip from inception to its blasted conclusion, highs and lows fully intact." The music becomes progressively more orchestral and serene until the high of the trip, represented by "Ecstasy Symphony"/"Transparent Radiation (Flashback)," moving on to the moment of realisation where the high has faded and the comedown ensues, represented by the harsh opening guitar chords in "Things'll Never Be the Same." Coming down is represented in the blues based "Come Down Easy," whilst the potentially fatal effects of an overdose are portrayed in the final track "Call the Doctor." The music was written by the band except "Transparent Radiation" which is a Red Krayola cover from their 1967 album Parable of Arable Land. The band also borrow heavily from the gospel standard covered by Bob Dylan, "In My Time of Dying," for "Come Down Easy" and pay homage to Lou Reed in "Ode to Street Hassle."
The vinyl edition of The Perfect Prescription includes liner notes by author R. Hunter Gibson:
"'The Perfect Prescription' is an album that will be left out of the rock 'n' roll readers, just as the great texts bid Bo Diddley throw down his cloak for the quickstep of Eddie Cochran. If there has ever been an untrumpeted classic, here it is. An arcane, apocryphal document, this record, in late '80s UK, was telegraphing a message of unconcerned hope in a world hypnotised by guilt-ridden social work rock. Here, more than anywhere, Spacemen 3 have a vested interest in absolutely nothing. It is revolutionary and militant where most angry young rock is liberal at best. It is extreme and accurate. Like 'Aftermath' it captures every aspect of the age that would later be analysed. As the unassuming soundtrack of a country breaking down and a world breaking up, its very nature means that it has been ignored.
Spacemen 3, like all the great rock 'n' rollers, from Arthur Parker to Paul Gauguin, are revolutionary; this is their great manifesto, striding free from the pharmacy raid of their debut armed with the keys of the musical medicine cabinet. When we left off things would never be the same. But the other side of the locked door, well, it's like the white one in the story.
If 'Sound of Confusion' denied the wider stretches of the sense in favour of the immediately, roughly sensual, this script paned out from some suburban global village Viet vet subculture into a poppyfield undersown with righteous paranoia. And still the smell of burning rubber on trash yankee wheels thickens the air...
viernes, 14 de marzo de 2014
quilt
Quilt - Full Performance (Live on KEXP)
Songs:
Saturday Bride
Eye Of The Pearl
Just Dust
Secondary Swan
Songs:
Saturday Bride
Eye Of The Pearl
Just Dust
Secondary Swan
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